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Anybody know what he's been using at different phases of his career?

i'm especially interested in knowing his gear selection from '90 - present.

i know he's used a goldtop Gibson Les Paul Deluxe with mini-humbuckers, a sunburst Fender Strat and various Gretsch guitars. i never did sort out what acoustics he uses. any additional detail would be great.

any links to photos of his pedalboards and effects selections/signal chain from various eras?
there are tantalizing *moments* in the Seven Worlds Collide DVD and the Sessions DVD where you can see his pedalboard.

there seems to be a DEARTH of information regarding this area!

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Other people seem to know the specifics far better than I do but here's what springs to mind:

Amp - he uses a Vox AC30. He also has a Roland Jazz Chorus - I guess he hasn't really used it since the Enz days but he is seen using it on the Rock Arena New Year's concert filmed at the end of '86. He said that he found the JC to have a hollow sound that bugged him. I think it sounds great. I have no idea but I always assume that the lovely sound of the guitar on Recurring Dream is, in part, courtesy of the JC. I think he used to use the distortion switch on at almost its lowest. That way the guitar wasn't always ridiculously clean (E.g. that open A-ish chord at the end of the middle-8s on One Step Ahead). Again, I'm not as technically wise as others here are so maybe they'll correct me on that.

Accoustics - he uses Maton. I think he uses a junior sized one. Not sure of the exact model. He probably has a couple.

Pedals/Effects - in the Enz days I think his sole pedals were a MXR Flanger and a Paul Crowther Hot Cakes distortion pedal. The Hot Cakes is awesome - you can get one from Paul Crowther direct if you like. Can't remember now where I got the address and details from but they must be out there somewhere. Great pedal.

He used to use a Roland Tape Echo unit but that got the chop at the end of the Enz days. You can hear it in all its glory on the guitar echos on One Mouth. I have one somewhere - kind of funky but such a big piece of equipment. As many people say, the warmth of it IS nicer than digital but I don't think its size is practical for the road. I grew to really resent lugging that thing around! God knows if you can still get tapes for it too.

In the mid/late 80's he bought a Yamaha SPX unit I think. I'd doubt he's still using that though. No real idea what his effects setup is right now but I'd be willing to bet that the Hot Cakes is still in it.
this would make a GREAT subject for the forum , maybe Neil's, Tim's , whoevers - gear - as a seperate subject..

btw - he also uses a custom Maton 12 stringer , used it last night at the Grove, as well on the KCRW webcast..

his Les Paul took a massive dive last night, had some probs keeping it in tune..

He aalso uses Larrivee Guitars as well..
In Los Angeles last week.
Vox AC 30 ( old model... probably studio rental) 1958 Fender Deluxe run in tandem ( both on all the time). FOH mixer blends as appropriate
Pedal board... a couple boss tuners ( signal spliters?) A boss delay of some sort... and what piqued my interest OD/Boost = Crowther Hot Cake. My ears heard a lot of Vox EL84 OD/Chime.
but then, bam, next song... no more vox tone. So I waited around and asked Neils guitar tech what was up... ( thanks mate!) so he gave me the scoop.
Great thread...I've always been interested in hearing about Neil's music gear too. I work in a musical instrument shop in Australia and due to the fact that I helped someone design a custom model Maton to look like the one Neil was using around the time of One Nil I remember a little about the model. It's a Maton EBG808 - it is a smaller sized body - I think Maton call it their Bluegrass model. Neils had a few modifications though to the standard issue. (I own the EBG808 artist model which is close but not the same) His had a gloss finish with a honey stained top and an abalone (or pearl) inlay around the soundhole and for the binding. No cutaway. Maton also released some other models for the rest of Neils band on that tour - they had ebony fretboards with pearl inlay blocks and a satin finish.(I think Neil was using one of these models too)

A good friend of mine has a Vox AC30, A Gretsch Duo Jet and a Hot Cake pedal - put them together and you immediately have the classic Neil sound. I've been getting a sound that's pretty close with my Fender DeVille, Gretsch Nashville and a Tube Screamer. Love to see some shots of Neils pedal set up.

I haven't posted here much although I'm always checking in - hope you don't mind the intrusion!
This is a great thread, since I'm a VERY amateur guitarist myself. Neil's Les Paul Deluxe is to me the second most iconic musical instrument in existence--only Paul McC.'s Hofners beat it in my eyes.

It's really great that Neil's become such a bloody good guitarist in the last ten years. I'm not saying he was ever less than good at any point, but he's really been going for it lately. Is there anything the man can't do?
On Neils pedalboard and amps...

so, we seem to have nailed down that he uses:

- an old tweed Fender Deluxe paired with a Vox AC-30 (possibly with an ABY switch of some kind?)

- a Crowther Audio Hotcakes distortion (3 knob)

- a Boss Digital Delay pedal (i assume it's the DD-3 cos you can't make the newer ones like the DD-5 and DD-6 do swirly stuff when you twiddle the knobs, they just jump to the new value).

- i think i saw a Hughes and Kettner Tube Rotosphere on his pedalboard in the "Sessions" DVD, tho it seemed to have gone by 7 Worlds.

i KNOW there's more to it than those, but i can't identify them from the DVD stills.

anyone else? Bueller?
Hey Evvie
A little bit of Maton info -
They've been around since the 1940's - there's a photo floating around of George Harrison playing one when he was in Australia in the 60's. Almost every well known Australian guitarist plays one these days - along with a lot of overseas players too (members of Queens of the stone age, Ben Harper, Foo Fighters, Jeff Buckley was playing one for a while - Australian players are too numerous to mention!). They use a lot of timbers that come from Australia - Victorian Blackwood, Queensland Maple, Queensland Walnut. The tops are generally spruce - although there are some models with cedar tops or Bunya Pine. They also offer all kinds of custom options. The prices range from $899AU - to around the $5000AU. Soundwise they are warm and "woody" sounding - they don't have the bright sound of a Taylor - nor the "Bottom end" that a Martin has - they probably sit nicely in between. Most of the range come in a satin finish - although there are quite a few gloss models available too. You can order custom colours as well. They offer 3 different types of pick ups AP4, AP5 and the APMic - which has a Mic in the soundhole as well as the usual piezo pick up under the bridge saddle - the pick up controls allow you to blend the two sounds. Playability on them is excellent and the guitars that arrive on a regular basis at our store are always are well set up. Check out and you'll be able to have a look at the models - there's plenty of photos. They also make a range of electric guitars.

I just found this piece of news on the Maton site:

"Neil & Tim Finn, two of the worlds finest Songwriters, were regretfully forced to retire there trusty old Maton's. When Neil told us the news we were so sad to see them go, that we got Neil's old EBG808 into the hands of our finest craftsmen and they set to task building replacements. When Neil and Tim received the guitars they were blown away with the sound, feel, and look of their new Matons."

Anyhow, hope that all helps a bit....
I'm interested to know more about the pedals used too - hopefully some one will come along with some more info.

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