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Reply to "New video released on iTunes of entire 7 Worlds Collide Concert from 2008"

Perhaps "fiasco" came across as a bit harsh. I was specifically referring to the availability of the channels it was released on, and my dealings with DRM eco-systems that don't support browsers and operating systems I use.

The release's production, editing, and the fact it came about at all, was far from a fiasco. Closer to a miracle and a fan's dream in fact!

I'm happy enough to leave physical discs in the past if I have to, and only ever play digital music and video files these days. 'Files' being the key word though, as opposed to "accessing DRM content" on services I don't want to sign up for. Having said that I do have a Spotify account haha. My Finn (and related artists) FLAC collection is my holy grail, and I too spent a lot of time ripping CDs, DVDs, converting, tagging and sorting this archive.

Loved reading your post by the way, and you made some great points.

I was somehow able to watch the concert early on via Amazon Prime, even though at the time I don't believe it was available to Australian customers. I think I might have signed up for a free month? But when I tried to watch it the next day I had no luck at all and believe something at the Amazon backend changed. From what I remember the concert was no longer available for me to even stream through my web browser and redirected me to the Australian version of Amazon. My memory is cloudy, but that was pretty much my experience. It looked amazing in 1080p HD too and I was even able to create a chart of who sung lead vocals (and wrote) each song.

Again, any issues I have isn't necessarily a major deal. I'm just a fan that doesn't really hold back with his opinion. Others may be happy enough to stream the concert if they're lucky enough. It just feels like perhaps a missed opportunity to sell a HD copy of the file to fans, or at least allow them to download it through one of the streaming services it was uploaded to. But I understand these options are currently beyond anyone's control.

Ironically, with a simple app, add-on, or browser bookmark, fans can download any video from YouTube in high resolution with a click of a button. This includes the likes of Neil Finn & Paul Kelly's brilliant two-and-a-half-hour Live at the Sydney Opera House concert in full 1080p HD (Note that this is a separate show to the CD / DVD / blu-ray).

But yet with other concerts released on Google Play, Amazon Prime and Apple iTunes, it's not even possible to pay for that kind of privilege, even if someone wanted to. I don't have the answers, I'm just throwing up points and creating a discussion.

I do like that when people like Phil Judd, Eddie Rayner and Pablo Vasquez (Elroy's classical band) release new albums fans are able to purchase high quality uncompressed FLAC copies from BandCamp / Reverb Nation. Further to what you said, I see no real reason why this type of service couldn't exist for visual content too. Hell, there are even methods to download audio tracks from SoundCloud if fans are persistent.

Tim Finn and Abi Tucker's The Fiery Maze soundtrack being "released" exclusively via Spotify / Google Play late last year frustrated a few fans who would have liked an actual copy of the songs. The same issue has come about recently with Elroy's new album, which I don't believe is (yet) available to purchase. Both of these albums ended up being uploaded to YouTube legally by the record labels / publisher. Therefore fans that want the music bad enough could technically find a way to save the files, proving that even paying Spotify subscribers could end up with a better product via a free unofficial method. Ironic, don't you think?

So very true @Jaffaman, and a point well made. I do enjoy collecting video releases where I can. This includes VHS, DVD and blu-rays. along with all those special edition bonus DVDs / CD-ROMs record labels included with album re-issues. Crowded House's Upstairs at Home (as an example) is a particular favourite. This was the limited edition DVD included with early copies or Intriguer.

But hey, the content is the most important thing, and if TV specials, visual radio performances and webcasts were available to purchase digitally I'd be more than happy to snap them up too. As long as the publisher can include a nice 2:3 digital cover (similar to what we got with Live at the Powerstation) I'd be a happy customer.

Hell, I'd happily create my own cover art if there was none available. A basic raw upload of a concert filmed from a smartphone, synced with an unmastered soundboard recording, would receive a nice thumbs up from me for a pretty $10

    All times London, UK.

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